The following are, the premise narrative superimposed over object forms, materials, thus forming new conceptual relationships to the gallery space as well as the viewers emotional relational space, which becomes recreated by the viewers, own superimposing of the two sets of idea, concept, emotional and physical forms presented to them in each work.

What is seen and unseen, or what can be seen at any given time forms a time frame involvement for the viewer. An emotional relational space.

Use of multiple screens out of sequence, and each with different narrative story lines, seemingly the same.